AGBO is an independent studio founded by the Russo Brothers that develops franchise IP across film, television, gaming, and immersive experiences, with major streamer partnerships at its core.
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With post-production underway on Avengers: Doomsday and a $400 million minority stake from Nexon, AGBO is operating at the intersection of franchise filmmaking and cross-media IP expansion.
AGBO is an independent studio founded in 2017 by Joe and Anthony Russo and Mike Larocca, built around the premise that franchise-scale storytelling does not require a major studio infrastructure. What distinguishes AGBO from most independent production companies is its explicit cross-medium mandate: the studio develops IP intended to live across film, television, gaming, and immersive experiences simultaneously, rather than treating those platforms as secondary windows. Recent hires and internal promotions signal a deepening investment in in-house worldbuilding, with dedicated story executives now shaping the development pipeline alongside established creative leadership.
AGBO's recent production record spans prestige and commercial extremes. The studio produced "Everything Everywhere All at Once," which won the Academy Award for Best Picture along with six additional Oscars from eleven nominations. On the commercial side, "The Gray Man" became the fifth most-watched film title in Netflix history. Upcoming projects include "Extraction 2" and "The Electric State" for Netflix, a "Butch and Sundance" series for Amazon, and the international franchise-launching thriller "Citadel" for Amazon. Post-production is reportedly underway on "Avengers: Doomsday," signaling continued involvement in major franchise production. A $400 million minority stake from Nexon Co. further positions the studio for expanded gaming and cross-media development.
Material reaches AGBO primarily through established agency relationships and producer partnerships, given the studio's scale and the volume of projects already in development. The recent hire of narrative designer Ryan Verniere, announced by Co-Presidents of Story Christopher Markus and Stephen McFeely, points to an emerging pathway for writers with genre, mythology, and worldbuilding expertise, particularly those whose work translates across interactive and cinematic formats.
With post-production underway on Avengers: Doomsday and a $400 million minority stake from Nexon, AGBO is operating at the intersection of franchise filmmaking and cross-media IP expansion.
Independent studios with franchise capability (like AGBO) partnering with festivals and cross-media events to expand IP into gaming/immersive; post-production on Avengers: Doomsday signals continued major franchise production
This page is a public snapshot of Agbo, kept fresh from trade-press signals. ScriptMatch is the live market-data engine behind it. Upload your script, and we use the same continuously-indexed buyer activity to tell you which production companies and distributors are actively acquiring projects like yours right now, why each one fits, and exactly how to reach them.
AGBO does not have a publicized open-submission policy, which is standard for a studio operating at its scale. The company develops projects primarily through established agency relationships, producer partnerships, and in-house IP creation. Writers without existing industry representation are unlikely to get material in front of the development team through a cold submission. Securing literary representation at a major agency with existing AGBO relationships is the most practical first step.
AGBO develops projects both in-house and through partnerships with external producers and writers. The studio has a dedicated story team, currently led by Co-Presidents of Story Christopher Markus and Stephen McFeely, which shapes the creative direction of its slate. Recent hires like narrative designer Ryan Verniere suggest the company is actively building internal capacity for genre worldbuilding and cross-medium IP, meaning some projects originate from within the studio rather than from outside pitches.
AGBO has several projects in various stages of production and development. 'Extraction 2' and 'The Electric State' are upcoming Netflix titles. 'Citadel,' an international franchise-launching thriller, is set up at Amazon alongside a 'Butch and Sundance' series. Trade press also indicates post-production is underway on 'Avengers: Doomsday,' reflecting the studio's continued involvement in large-scale franchise filmmaking alongside its streamer-focused slate.
AGBO was founded by directors Joe and Anthony Russo and producer Mike Larocca. The studio's story development is led by Co-Presidents of Story Christopher Markus and Stephen McFeely, the writing team behind several major franchise films. ScriptMatch currently tracks approximately 20 decision-makers affiliated with the company. Recent additions include narrative designer Ryan Verniere, whose background in interactive storytelling reflects the studio's cross-medium development priorities.
The most reliable pathway is through a literary agent or entertainment attorney with an existing relationship at the studio. AGBO's partnerships with Netflix and Amazon also mean that projects already set up at those platforms may find a natural overlap with the studio's interests. Writers working in genre, mythology-driven narratives, or cross-medium IP, particularly material with franchise potential, are best aligned with what AGBO's story team has publicly described as its current focus.
Yes. ScriptMatch's latest signal for AGBO is from April 2026, and the studio shows 18 tracked records over the past twelve months. Activity indicators include the $400 million Nexon investment, ongoing post-production on major titles, and recent executive hires signaling continued in-house development investment. The studio's cross-medium mandate, spanning film, television, gaming, and immersive experiences, suggests a broad and active development pipeline rather than a narrowly focused one.
Profile compiled from publicly-available sources: trade press (Deadline, Variety, IndieWire, The Hollywood Reporter, Screen Daily), festival market reports (Cannes Marche, AFM, EFM, TIFF Industry), executive public statements, and acquisition announcements. Activity counters reflect signal volume from continuous pipeline indexing.
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