Buyer Database · Buyer / Distributor · Updated
Cineflix Rights
Cineflix Rights is a genre-focused international distributor and co-production financier specializing in high-concept scripted series with recognizable IP and cross-border broadcaster partnerships.
Current mandate
Cineflix Rights is currently positioning itself as a co-production financier and international distributor for high-concept scripted series, with a clear strategic emphasis on recognizable genres that carry a distinctive point of difference. The company's most prominent current tentpole is "Hildur," an Icelandic-Finnish co-production described internally as "Nordic Blue" crime drama, blending police procedural tension with emotionally resonant, human storytelling. Produced at a reported budget of approximately €1 million per episode through a consortium of local broadcasters, a private venture fund, and Cineflix Rights itself, "Hildur" headlined the company's Mipcom scripted slate and was generating strong buyer interest ahead of anticipated first pre-sale announcements.
Cineflix Rights' acquisition pattern reflects a consistent preference for projects adapted from proven IP with established fanbases. The decision to back "Hildur" was directly tied to the success of Satu Rämö's source trilogy, which has sold over 1 million copies across 22 territories. The company's Mipcom lineup also included the RTÉ/BBC drama "The Walsh Sisters" and Australian crime comedy "Sunny Nights" starring Will Forte and D'Arcy Carden, signaling an appetite for English-language co-productions alongside Nordic fare. The recent acquisition of "So Long, Marianne" further illustrates an active slate-building posture across scripted genres. Cineflix Rights enters projects at early stages, providing financing alongside broadcaster partners rather than acquiring finished product alone.
Material reaches Cineflix Rights primarily through established producer relationships and market-facing co-production partnerships. Executive Felicia Litovitz has publicly emphasized the company's commitment to working with Canadian producer partners, citing Banff as a key forum for meeting existing and prospective collaborators. Major international markets, particularly Mipcom and Banff, serve as the documented venues where the company evaluates new projects and advances existing partnerships. No unsolicited pathway is documented; every tracked deal in the available data has come through co-production structures, sales agents, or broadcaster-linked producer relationships.
Signature peaks
- 1M+ copies sold Source IP Reach — The "Hildur" source trilogy sold over 1 million copies across 22 territories, a key factor in Cineflix Rights' backing decision.
- €1M per episode Co-Production Budget Tier — "Hildur" achieved this production level through combined backing from local broadcasters, a private venture fund, and Cineflix Rights.
- 40 Decision Makers Tracked — ScriptMatch tracks 40 decision makers at Cineflix Rights across acquisitions, co-production, and sales functions.
Mandate dimensions
- Genre focus
- Not disclosed
- Territory focus
- Not disclosed
- Budget tier (observed)
- Not disclosed
- Access pattern
- Material is observed to reach Cineflix Rights through co-production partnerships with broadcasters and producer partners, with major international markets, particularly Mipcom and the Banff World Media Festival, serving as the documented venues for project introductions and deal development. Executive Felicia Litovitz has publicly named Banff as a primary forum for meeting Canadian producer partners, and the company's Mipcom presence includes formal pitch meetings with prospective buyers and collaborators; no unsolicited pathway is documented.
- Deal structure
- Cineflix Rights structures deals primarily as early-stage co-production financing arrangements alongside broadcaster partners and private funds, as documented on "Hildur," and also acquires completed or near-completed scripted series for international distribution, as seen with "So Long, Marianne."
Recent acquisitions
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So Long, Marianne
Market context
Cineflix Rights is betting on "Nordic Blue" crime drama and multi-territory co-productions to build a scripted slate with built-in global fanbases and broadcaster pre-sales.
Cineflix Rights is currently positioning itself as a co-production financier and international distributor for high-concept scripted series, with a clear strategic emphasis on recognizable genres that carry a distinctive point of difference. The company's most prominent current tentpole is "Hildur," an Icelandic-Finnish co-production described internally as "Nordic Blue" crime drama, blending police procedural tension with emotionally resonant, human storytelling. Produced at a reported budget of approximately €1 million per episode through a consortium of local broadcasters, a private venture fund, and Cineflix Rights itself, "Hildur" headlined the company's Mipcom scripted slate and was generating strong buyer interest ahead of anticipated first pre-sale announcements.
Common questions about Cineflix Rights
Does Cineflix Rights accept unsolicited scripts?
No unsolicited pathway is documented in available data. Every tracked deal at Cineflix Rights has come through co-production structures, broadcaster partnerships, or established producer relationships. The company's executives actively attend markets such as Banff and Mipcom to evaluate new projects from existing and prospective partners. Producers seeking to connect should consider market introductions or working through a sales agent or co-production partner with an existing Cineflix relationship.
What budget level does Cineflix Rights work at?
Cineflix Rights operates at a premium scripted television budget tier. Their co-production on "Hildur" was structured at approximately €1 million per episode, achieved through a consortium of local broadcasters, a private venture fund, and Cineflix Rights itself. The company typically enters projects at an early stage as a financing partner rather than acquiring finished product, which allows it to help shape productions to meet international broadcast standards.
What festivals or markets does Cineflix Rights source projects from?
Cineflix Rights is most visibly active at Mipcom and the Banff World Media Festival. Mipcom serves as the company's primary scripted slate launch venue, where it conducts detailed pitch meetings and major marketing activations. Banff is cited by executive Felicia Litovitz as a key forum for meeting Canadian producer partners, both existing and new. These two markets represent the clearest documented access points for producers seeking to introduce projects to the company.
How do I get my project in front of Cineflix Rights?
The most documented route is through a co-production or broadcaster partnership, particularly for Canadian producers. Executive Felicia Litovitz has publicly highlighted Banff as a meeting point for new and existing partners. Cineflix Rights also engages at Mipcom with detailed pitch meetings. Producers with projects that carry recognizable IP, first-class talent, and a built-in fanbase are most aligned with the company's stated acquisition criteria. No open submission portal or fellowship program is documented.
What genres is Cineflix Rights currently acquiring?
Cineflix Rights has a clear current focus on crime drama with a distinctive emotional or tonal angle, exemplified by "Hildur," which the company describes as "Nordic Blue" crime, blending procedural tension with human, lighter themes. The company also has English-language drama ("The Walsh Sisters," an RTÉ/BBC co-production) and crime comedy ("Sunny Nights," starring Will Forte and D'Arcy Carden) on its active slate, suggesting appetite across scripted genres when strong IP or talent is attached.
Is Cineflix Rights currently active in the market?
Yes. Cineflix Rights has 24 total records tracked over the past 12 months and most recently acquired "So Long, Marianne" in mid-2025. The company headlined its Mipcom scripted slate with "Hildur" and was reporting strong buyer interest ahead of anticipated first pre-sale announcements. With 40 decision makers tracked by ScriptMatch and active market participation at Banff and Mipcom, the company shows consistent acquisition and co-production activity across the current cycle.
Adjacent buyers in this lane
- Beta Cinema — Beta Cinema is a Munich-based international sales agent specializing in arthouse and literary-adapta
- Starz — Starz is a premium cable and streaming network doubling down on wholly owned scripted drama and inte
- Filmax — Filmax is a Spanish distributor and co-producer with a long track record in genre cinema, currently
- Channel 5 — Channel 5 is a Paramount-owned UK public service broadcaster investing at a three-year content-spend
Related reading
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