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Cineflix Rights

Cineflix Rights is a scripted-focused international distributor specialising in genre television with a point of difference, currently building a Mipcom slate anchored by high-budget Nordic and English-language co-productions.

Current mandate

Cineflix Rights is positioning itself as a co-production financier and international distributor for scripted television that combines genre familiarity with a distinctive creative angle. The company's current tentpole is "Hildur," an Icelandic-Finnish crime thriller adapted from Satu Rämö's trilogy, which has sold over one million copies across 22 territories. The series, budgeted at €1 million per episode through a consortium of local broadcasters, a private venture fund, and Cineflix Rights itself, is headlining the company's Mipcom scripted slate and has already attracted strong buyer interest ahead of first pre-sales announcements.

Across its recent acquisition and co-production activity, Cineflix Rights has demonstrated a clear appetite for projects that sit within recognisable genre frameworks but carry a differentiating element, whether tonal, cultural, or IP-driven. The Mipcom lineup also includes the RTÉ/BBC drama "The Walsh Sisters," the Australian crime comedy "Sunny Nights" starring Will Forte and D'Arcy Carden, and the recently acquired title "So Long, Marianne." The company's stated strategy targets projects adapted from exciting IP with first-class talent both in front of and behind the camera, and it enters projects at an early stage to help shape them for global audiences. Its Canadian partnerships remain a core pillar, with executive Felicia Litovitz actively meeting producer partners at Banff to identify new projects for financing and distribution.

Material reaches Cineflix Rights primarily through its established network of co-production and broadcast partners, as well as through market-facing meetings at events such as Banff, Mipcom, and comparable international television markets. The company's executives are publicly active at these forums, and trade coverage consistently shows new projects entering the slate via early-stage co-production arrangements rather than post-completion acquisitions alone. No unsolicited submission pathway is documented; every tracked deal in the ScriptMatch dataset arrived through a producer partner relationship or a market introduction.

Signature peaks

  • 1M+ copies sold Proven IP Threshold — Satu Rämö's "Hildur" trilogy sold over one million copies across 22 territories before Cineflix Rights committed to the series.
  • 22 territories Co-Production Reach — The source IP for the "Hildur" series had established readership across 22 territories, a key factor in the greenlight decision.
  • 40 Decision Makers Tracked — ScriptMatch tracks 40 decision makers at Cineflix Rights, reflecting a broad executive footprint across acquisitions and co-production.

Mandate dimensions

Genre focus
Not disclosed
Territory focus
Not disclosed
Budget tier (observed)
Not disclosed
Access pattern
Material is observed to reach Cineflix Rights through early-stage co-production arrangements brokered at international television markets, most notably Mipcom and the Banff World Media Festival, where company executives including Felicia Litovitz are publicly active in meeting producer partners. Every tracked deal in the ScriptMatch dataset arrived via a producer partner relationship or a multi-party co-production structure; no unsolicited submission pathway is documented.
Deal structure
Cineflix Rights structures deals as early-stage co-production financing combined with international distribution rights, typically entering projects alongside broadcast partners and other co-financiers rather than acquiring completed films outright. The company also acquires completed titles for international sales representation, as evidenced by the "So Long, Marianne" acquisition.

Market context

With a €1 million-per-episode Icelandic-Finnish co-production headlining its Mipcom slate, Cineflix Rights is doubling down on recognisable genres elevated by first-class talent and proven IP.

Cineflix Rights is positioning itself as a co-production financier and international distributor for scripted television that combines genre familiarity with a distinctive creative angle. The company's current tentpole is "Hildur," an Icelandic-Finnish crime thriller adapted from Satu Rämö's trilogy, which has sold over one million copies across 22 territories. The series, budgeted at €1 million per episode through a consortium of local broadcasters, a private venture fund, and Cineflix Rights itself, is headlining the company's Mipcom scripted slate and has already attracted strong buyer interest ahead of first pre-sales announcements.

Common questions about Cineflix Rights

Does Cineflix Rights accept unsolicited scripts or pitches?

No unsolicited submission pathway is documented in ScriptMatch's tracked data. Every deal observed in the dataset arrived through an established producer partner relationship or a market introduction at events such as Banff or Mipcom. Cineflix Rights executives, including Felicia Litovitz, are publicly active at these markets and have stated they are open to meeting new producer partners there, making a market meeting the most visible documented route.

What budget level does Cineflix Rights work at for scripted TV?

The clearest public data point is the "Hildur" co-production, which achieved a €1 million-per-episode budget through combined backing from local broadcasters, a private venture fund, and Cineflix Rights. This suggests the company is comfortable at premium cable or streamer-adjacent budget tiers for scripted series, particularly when the financing is structured across multiple partners rather than carried by Cineflix Rights alone.

What festivals or markets does Cineflix Rights source projects from?

Trade coverage consistently places Cineflix Rights at Mipcom and Banff as primary sourcing and deal-making markets. The company uses Mipcom to introduce new titles to international buyers with pitch meetings and marketing activations, while Banff is where its Canadian co-production relationships are actively cultivated. Felicia Litovitz has publicly stated she attends Banff specifically to meet existing and potential new producer partners.

How do I get my project in front of Cineflix Rights?

The most documented route is through a producer partner relationship or a direct market introduction at Banff or Mipcom. Cineflix Rights enters projects at an early stage, so a project does not need to be completed to attract interest. Having a broadcaster or co-production partner already attached appears to strengthen a project's case, as the company's recent slate entries have all involved multi-party financing structures rather than single-source acquisitions.

What genres is Cineflix Rights currently acquiring?

Cineflix Rights targets recognisable genres with a creative point of difference. Crime drama is a clear current priority, evidenced by the Nordic crime thriller "Hildur" headlining its Mipcom slate and the Australian crime comedy "Sunny Nights" also on the lineup. The company also holds the RTÉ/BBC drama "The Walsh Sisters," indicating an appetite for character-driven prestige drama. Projects adapted from established IP with a pre-existing fanbase appear to carry particular weight in acquisition decisions.

Is Cineflix Rights currently active in the acquisitions market?

Yes. ScriptMatch's latest signal on Cineflix Rights is dated June 2026, and the company has 24 tracked records over the past 12 months. The most recent acquisition in the dataset is "So Long, Marianne," recorded in mid-2025. The company is actively building its international sales slate and, according to trade coverage, was pursuing first pre-sales announcements for "Hildur" following its Mipcom market presence.

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Related reading

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