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Electric Entertainment
Electric Entertainment operates as a fully independent studio, retaining worldwide rights across its slate through ownership-first financing and a $100 million Bank of America credit facility.
Current mandate
Electric Entertainment has positioned itself as one of the more structurally independent mid-tier studios in the market, built on an ownership-first model the company adopted post-2004. That model, anchored by license-fee plus deficit-financing structures, allows Electric to retain worldwide rights on its productions rather than ceding them to network or streaming partners. A $100 million credit facility secured from Bank of America, leveraged against the company's content library, gives the team the ability to greenlight projects without every financing piece in place, a meaningful competitive advantage in a market where speed of commitment matters. The company operates out of a 20,000-square-foot West Hollywood headquarters that consolidates creative, post-production, sales, and marketing functions under one roof, reinforcing its end-to-end independence. Leadership has signaled openness beyond its core dramatic wheelhouse, with founding partners citing genuine appetite for horror and thrillers alongside the character-driven ensemble dramas the company is best known for. The mandate centers on material with a strong emotional core and commercial viability, projects that can travel worldwide under Electric's own distribution infrastructure.
Recent productions reflect that range. The Ark is heading into a Season 3 debut in 2026. The company has also released the big-screen dramedy One Happy Family and is developing The Poly Couple, a new half-hour comedy series. Electric acquired The Bunker in April 2025, adding an undisclosed-budget project to its active slate. The company also mounted its first ElectricCon event in New Orleans, a signal of its investment in audience-facing franchise building around its programming.
Writers and producers seeking access should approach Electric through its West Hollywood headquarters. The company tracks a broad decision-maker base, with 16 contacts logged in recent coverage. Given the ownership-first model, Electric is most receptive to material where rights are clean and worldwide availability is possible. Projects with ensemble potential, emotional grounding, and genre flexibility, including thriller and horror, align with the current stated mandate.
Signature peaks
- 16 Active Decision Makers — Contacts tracked across recent coverage
- 20,000 sq ft HQ Footprint — West Hollywood; in-house post, sales, and marketing
- The Bunker Latest Acquisition — Acquired April 2025; budget not disclosed
Mandate dimensions
- Genre focus
- Not disclosed
- Territory focus
- worldwide
- Budget tier (observed)
- Not disclosed
- Access pattern
- Approach Electric Entertainment through its West Hollywood headquarters via representation. The company's ownership-first model means clean worldwide rights are a prerequisite for serious consideration. Ensemble-driven dramas with commercial reach are the core target; genre material including thrillers and horror is also within scope per leadership's stated taste. Sixteen decision makers are tracked across the organization, suggesting multiple points of entry for well-connected producers and agents.
- Deal structure
- Electric structures deals using license-fee plus deficit-financing arrangements that allow it to retain worldwide rights. A $100 million Bank of America credit facility, secured against its content library, provides the company flexibility to greenlight without full financing in place. Budget terms on individual acquisitions, including the recent Bunker deal, are not publicly disclosed. The company reclaimed domestic rights on its library following its post-2004 ownership-first pivot, and that rights-retention posture remains central to how it structures new deals.
Recent productions and projects
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The Bunker
Market context
"We look for the emotional center, the heart line, in every story we bring to partners." — Dean Devlin, Electric Entertainment
Electric Entertainment has positioned itself as one of the more structurally independent mid-tier studios in the market, built on an ownership-first model the company adopted post-2004. That model, anchored by license-fee plus deficit-financing structures, allows Electric to retain worldwide rights on its productions rather than ceding them to network or streaming partners. A $100 million credit facility secured from Bank of America, leveraged against the company's content library, gives the team the ability to greenlight projects without every financing piece in place, a meaningful competitive advantage in a market where speed of commitment matters. The company operates out of a 20,000-square-foot West Hollywood headquarters that consolidates creative, post-production, sales, and marketing functions under one roof, reinforcing its end-to-end independence. Leadership has signaled openness beyond its core dramatic wheelhouse, with founding partners citing genuine appetite for horror and thrillers alongside the character-driven ensemble dramas the company is best known for. The mandate centers on material with a strong emotional core and commercial viability, projects that can travel worldwide under Electric's own distribution infrastructure.
Common questions about Electric Entertainment
Does Electric Entertainment accept unsolicited scripts?
Electric Entertainment has not made a public blanket statement on unsolicited submissions. Given its ownership-first model and in-house development infrastructure, the company typically works through established relationships, agents, and producers with existing connections to the team. Writers without representation are best served by querying through a literary agent or manager who has prior contact with Electric's development staff at its West Hollywood headquarters.
How does Electric Entertainment attach to and develop projects?
Electric develops projects internally and acquires material it intends to own outright, retaining worldwide rights through license-fee plus deficit-financing structures. The company's $100 million Bank of America credit facility allows it to move forward on development and production without waiting for every financing piece to be in place. Leadership, including founding partner Dean Devlin, emphasizes a strong emotional center as the primary creative filter when evaluating incoming material.
What is Electric Entertainment currently producing?
Electric is heading into a Season 3 debut for The Ark in 2026. The company has released the big-screen dramedy One Happy Family and is developing The Poly Couple, a new half-hour comedy series. The Bunker, acquired in April 2025 with budget undisclosed, is also on the active slate. The company recently mounted its first ElectricCon event in New Orleans, reflecting investment in franchise and audience development around its programming.
Who leads Electric Entertainment and makes acquisition decisions?
Dean Devlin is the founding partner most prominently cited in recent coverage, and he is identified as the primary creative voice, particularly around the company's emphasis on emotional storytelling and what he calls the 'heart line' in material. Electric tracks 16 decision makers across its organization according to recent activity data. The company's West Hollywood HQ consolidates creative and commercial leadership under one roof, suggesting a relatively centralized greenlight process.
How do you get in touch with Electric Entertainment?
Electric Entertainment is based at its 20,000-square-foot West Hollywood headquarters, which houses creative, post-production, sales, and marketing teams. Industry professionals should direct inquiries through the company's official channels at that location. Given the company's ownership-first model and worldwide rights focus, outreach is most productive when a project arrives with clean rights and representation. Querying through a literary agent or producer with existing Electric relationships is the recommended pathway.
Is Electric Entertainment actively acquiring and developing new projects?
Yes. Electric acquired The Bunker in April 2025 and has active productions including The Ark Season 3 debuting in 2026, the released dramedy One Happy Family, and the in-development half-hour comedy The Poly Couple. The company's credit facility and in-house infrastructure support ongoing acquisition and development activity. Recent coverage signals a deal velocity consistent with a company that is selectively but continuously building its slate across drama, comedy, and genre material including thrillers and horror.
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