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Vol. I · 2026
Rev. Blue
Issue GREENWICH-ENTERTAINMENT-01
Buyer / Distributor
LIVE · ACTIVE 90D
Moderate activity
Updated

Greenwich Entertainment

Greenwich Entertainment acquires festival-pedigreed arthouse and documentary titles for U.S. domestic theatrical release, with a consistent eye toward politically charged international cinema and culturally resonant nonfiction.

§ 01
Activity
12wk volume

Each signal is one documented data point captured by our continuous pipeline: a trade-press mention, festival market activity, executive statement, or acquisition activity update. Higher signal volume means Greenwich Entertainment is generating more public market activity right now.

30 days
11
+8 vs prior
90 days
15
signals captured
12 months
62
cumulative
Last signal
May 27·2026
pipeline pulse
§ 02
Current snapshot
Decision Makers Tracked
23
Active Acquisition Pipeline
61 total records in the past 12 months

"We look forward to bringing Paik's amazing story and art to 21st century audiences."

Current snapshot
Updated May 27
Most recent signal
Acquired North American
acquired
Top genre focus
coming-of-age
+1 more
Territory
North America + intl.
distribution + acquisitions
Access pattern
Rep-only
festival-driven discovery
See your match in the app
§ 03
Current mandate
Editorial analysis · updated continuously

Greenwich Entertainment is currently active on the U.S. domestic theatrical acquisition circuit, most recently securing all rights excluding TV to the documentary "Nam June Paik: Moon Is the Oldest TV," with a theatrical launch set for March 24 at New York's Film Forum. The company partnered on the release with American Masters Pictures, Films We Like (Canada), and Dogwoof (UK and international sales), reflecting its comfort operating within coordinated multi-territory distribution structures. Financial terms were not disclosed.

Over the past twelve months, Greenwich has demonstrated a clear and repeatable pattern: festival-launched titles with cultural or political weight, acquired at the arthouse end of the market. The slate includes Michel Franco's "Dreams," picked up after its Berlin launch; "The Friend's House Is Here," shot clandestinely in Iran and winner of the Sundance Special Jury Award for Ensemble Cast; "Soul of a Nation," acquired in September 2025; and "Juniper," acquired in January 2023. Budget figures across all recent deals were not disclosed. The company tracks 23 decision makers across its acquisition and distribution operations, signaling an active and staffed pipeline.

Filmmakers and rights holders seeking U.S. theatrical distribution should approach Greenwich through established festival channels or via direct outreach to Ed Arentz, who was identified as the Greenwich negotiator on the Nam June Paik deal. The company has shown receptivity to projects already in conversation with international sales agents and co-distribution partners.

§ 04
Signature peaks
Clandestine/Underground Cinema
The Friend's House Is Here
Shot clandestinely in Iran; Sundance Special Jury Award for Ensemble Cast
International Arthouse Drama
Dreams (Michel Franco)
North American rights acquired after Berlin launch
Festival-Pedigree Documentary
Nam June Paik: Moon Is the Oldest TV
All rights excl. TV; U.S. theatrical at Film Forum; Sundance response cited
§ 05
Mandate dimensions
5 dimensions
Genre focus
coming-of-agedrama
Territory focus
North America (U.S.)
Budget tier (observed)
Not disclosed
Access pattern
Festival-circuit acquisition is the primary access pathway. Sundance and Berlin are confirmed sourcing festivals. International sales agents and co-distribution partners (such as Dogwoof and Films We Like) have served as deal intermediaries. Ed Arentz is the documented Greenwich negotiator. No open submission process is on record.
Deal structure
Greenwich acquires all rights excluding TV for documentary titles, as confirmed on the Nam June Paik deal. North American rights acquisitions (as with Michel Franco's "Dreams") are also part of the recent deal record. The company operates within coordinated multi-territory structures alongside international sales agents and broadcast partners. Financial terms are consistently not disclosed. U.S. broadcast rights have been handled separately, with PBS' American Masters serving as the broadcast partner on at least one recent title.
§ 06
Recent acquisitions
4 signals · trade-press sourced

Acquired North American

RECENT
acquired
“Acquired North American rights to Michel Franco’s Dreams after its launch in Berlin earlier this year.”
— Trade press · ScriptMatch pipeline

Juniper (U.S. distribution rights)

JANUARY 3, 2023
Acquired

Soul of a Nation

2025-09-17T00:00:00.000Z
Acquired

The Friend's House Is Here

2026-04-28
acquired
“Shot clandestinely in Iran; won Sundance Special Jury Award for Ensemble Cast”
— Trade press · ScriptMatch pipeline
§ 07
Market context

"We look forward to bringing Paik's amazing story and art to 21st century audiences."

ScriptMatch desk

Greenwich Entertainment is currently active on the U.S. domestic theatrical acquisition circuit, most recently securing all rights excluding TV to the documentary "Nam June Paik: Moon Is the Oldest TV," with a theatrical launch set for March 24 at New York's Film Forum. The company partnered on the release with American Masters Pictures, Films We Like (Canada), and Dogwoof (UK and international sales), reflecting its comfort operating within coordinated multi-territory distribution structures. Financial terms were not disclosed.

§ 08
The next step
Open the app
LIVE MATCHING ENGINE
4,103 active buyers indexed

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This page is a public snapshot of Greenwich Entertainment, kept fresh from trade-press signals. ScriptMatch is the live market-data engine behind it. Upload your script, and we use the same continuously-indexed buyer activity to tell you which production companies and distributors are actively acquiring projects like yours right now, why each one fits, and exactly how to reach them.

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§ 10
Common questions
6 answered
Q01

Does Greenwich Entertainment accept unsolicited scripts or film submissions?

Greenwich Entertainment operates as a distributor acquiring finished or near-finished films rather than developing scripts from the ground up. There is no public record of an open unsolicited submission portal. Projects are most likely to reach the company through festival premieres, international sales agents, or established industry intermediaries. The Nam June Paik deal, for instance, was negotiated through a network of co-distribution partners including Dogwoof and Films We Like, suggesting agent or sales-rep involvement is the standard entry point.

Q02

What budgets or deal sizes does Greenwich Entertainment work with?

Financial terms across Greenwich's recent acquisitions, including 'Nam June Paik: Moon Is the Oldest TV,' 'Dreams,' 'The Friend's House Is Here,' 'Soul of a Nation,' and 'Juniper,' were not disclosed in available reporting. The company consistently acquires arthouse and documentary titles, which typically operate below mainstream studio budget thresholds, but no specific deal amounts or acquisition price ranges have been confirmed in the public record.

Q03

Which film festivals does Greenwich Entertainment source titles from?

Sundance and Berlin are both confirmed sourcing points based on recent acquisitions. 'The Friend's House Is Here' won a Sundance Special Jury Award for Ensemble Cast before Greenwich acquired it. Michel Franco's 'Dreams' was picked up after its Berlin launch. The Nam June Paik documentary also generated notable response at Sundance, according to the producing team. Greenwich's acquisition pattern suggests it actively monitors major international festival circuits for culturally resonant, politically charged titles.

Q04

How do you reach Greenwich Entertainment to pitch a film?

Ed Arentz is the Greenwich Entertainment representative identified in deal negotiations, specifically on the 'Nam June Paik: Moon Is the Oldest TV' acquisition. He is the most clearly documented point of contact for acquisition discussions. The company also works closely with international sales agents and co-distribution partners, so approaching Greenwich through a sales agent already in conversation with the company is a viable pathway. Direct festival-circuit introductions appear to be the most common deal-initiation mechanism based on available records.

Q05

What genres and subject matter is Greenwich Entertainment acquiring right now?

Current acquisitions point to three overlapping content lanes: politically charged international drama (Michel Franco's 'Dreams'; 'The Friend's House Is Here,' shot clandestinely in Iran), culturally resonant documentary (the Nam June Paik film, 'Soul of a Nation'), and festival-circuit arthouse titles with social or historical weight. The company has shown no recent appetite for genre fare, horror, or mainstream commercial titles. Underground and clandestine cinema, particularly from politically restricted territories, appears to be an active area of interest.

Q06

Is Greenwich Entertainment currently active and acquiring new titles?

Yes. Greenwich Entertainment recorded 61 total activity signals in the past 12 months and logged a deal as recently as late May 2026, according to tracked data. The most recent confirmed acquisition is 'The Friend's House Is Here,' dated April 2026. The company tracks 23 decision makers, indicating a staffed and operational acquisition function. Activity over the past 90 days shows at least one confirmed deal, and the pipeline includes titles at various stages of U.S. theatrical rollout.

§ 11
Colophon
Methodology

Profile compiled from publicly-available sources: trade press (Deadline, Variety, IndieWire, The Hollywood Reporter, Screen Daily), festival market reports (Cannes Marche, AFM, EFM, TIFF Industry), executive public statements, and acquisition announcements. Activity counters reflect signal volume from continuous pipeline indexing.

Corrections

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ScriptMatch · Buyer Profile · GREENWICH-ENTERTAINMENT
Vol. I · 2026 · Rev. Blue