Buyer Database · Sales Agent · Updated

LevelK

LevelK is a Copenhagen-based full-service sales agent and aggregator actively expanding into FAST channel distribution, with worldwide rights representation across thousands of titles and a current mandate spanning gritty crime drama, family programming, and niche genre content.

Current mandate

LevelK is actively seeking content across two distinct lanes. The first is its core theatrical and international sales mandate: gritty, realistic crime dramas with emotional depth, stories exploring criminal environments and youth vulnerability, and projects defined by uncompromising directorial vision without moralizing. Nordic and European productions with worldwide sales ambitions are a natural fit. The second lane reflects a strategic pivot now underway: light-hearted, appealing programming for families, couples, and groups of friends, driven by the company's expansion into FAST channel distribution. The launch of RomCom TV on Samsung, described as the leading FAST platform in the Nordic region, marks LevelK's first step into that market. Additional FAST channels targeting specific niches are already in development, set for release later in the year and into early 2026. Rights holders with catalogues in either lane, particularly those whose content does not fit traditional streaming services, are well-positioned to engage LevelK's aggregation service, which administers thousands of titles from rights holders around the world.

Signature peaks

  • 21 Decision Makers Tracked — Active contacts on ScriptMatch within the LevelK organisation
  • 17 Activity Records (12mo) — Total tracked signals over the past twelve months
  • 1 live, more in development FAST Channels Launched — RomCom TV on Samsung is live; additional niche channels set for later this year and early 2026

Mandate dimensions

Genre focus
crime thriller, street crime
Territory focus
International (Nordic/European production with worldwide sales ambitions)
Budget tier (observed)
Not disclosed
Access pattern
LevelK is accessible through standard international film market channels, with EFM, Cannes Marché, and MIPCOM representing the most consistent touchpoints for a company of its Nordic profile. ScriptMatch tracks 21 decision makers within the organisation. For sales representation inquiries, the core sales team is the entry point; for aggregation and FAST channel placement, Lars Frahm (Head of Aggregation) is the named contact. The latest tracked signal dates to May 2026, confirming the company is currently active. Given LevelK's stated preference for long-thought-out strategic partnerships rather than reactive deal-making, early-stage outreach ahead of market deadlines is advisable.
Deal structure
LevelK structures deals across two primary models. The first is traditional international sales representation, covering worldwide rights for Nordic and European productions, with territory-by-territory licensing to broadcasters, distributors, and streaming platforms. The second is its aggregation service, under which LevelK administers titles from rights holders globally and places content across platforms including FAST channels. The RomCom TV launch on Samsung illustrates the latter model in practice. Rights holders engaging the aggregation service retain ownership while LevelK handles platform relationships and distribution. For sales representation, deal terms follow standard international co-production and pre-sales conventions, with LevelK acting as the worldwide sales agent.

Market context

"Creating FAST channels is a part of our strategic partnerships with platforms and rightsholders and unites our in-house sales activities, becoming a full-service sales house." — Tine Klint, Founder and CEO, LevelK

LevelK is actively seeking content across two distinct lanes. The first is its core theatrical and international sales mandate: gritty, realistic crime dramas with emotional depth, stories exploring criminal environments and youth vulnerability, and projects defined by uncompromising directorial vision without moralizing. Nordic and European productions with worldwide sales ambitions are a natural fit. The second lane reflects a strategic pivot now underway: light-hearted, appealing programming for families, couples, and groups of friends, driven by the company's expansion into FAST channel distribution. The launch of RomCom TV on Samsung, described as the leading FAST platform in the Nordic region, marks LevelK's first step into that market. Additional FAST channels targeting specific niches are already in development, set for release later in the year and into early 2026. Rights holders with catalogues in either lane, particularly those whose content does not fit traditional streaming services, are well-positioned to engage LevelK's aggregation service, which administers thousands of titles from rights holders around the world.

Common questions about LevelK

What types of films does LevelK represent for international sales?

LevelK's core sales mandate centres on gritty, realistic crime dramas with emotional depth, stories exploring criminal environments and youth vulnerability, and projects with an uncompromising directorial vision that avoids moralizing. The company also represents light-hearted programming suited to families, couples, and groups of friends, reflecting its parallel aggregation and FAST channel business. Nordic and European productions with worldwide sales ambitions are a recurring fit across both lanes.

Does LevelK do pre-sales, and what does that process look like?

LevelK operates as a full-service sales house, meaning pre-sales are part of its toolkit alongside finished-film representation and catalogue aggregation. The company's strategic partnerships with platforms and rights holders, including its Samsung partnership for FAST distribution, indicate an infrastructure built for multi-stage deal-making. Producers seeking pre-sales support should approach LevelK early, as the company's stated model unites in-house sales activities across the rights lifecycle.

Which international markets does LevelK prioritise?

LevelK operates with worldwide sales ambitions rooted in Nordic and European production. Its FAST channel strategy specifically targets the Nordic region first, with Samsung characterised as the leading FAST platform there. Beyond the Nordics, the company administers titles from rights holders around the world, suggesting broad European and international territory coverage. Specific territory breakdowns for individual titles are best confirmed directly with the sales team.

How do I reach LevelK to submit a project or discuss representation?

ScriptMatch tracks 21 decision makers within the LevelK organisation, with the latest signal recorded in May 2026. Key named executives include Lars Frahm (Head of Aggregation) and Tine Klint (Founder and CEO). For international sales representation, outreach should be directed toward the sales team; for aggregation and FAST channel placement, Lars Frahm's team is the relevant contact. Standard market submissions via EFM, Cannes, and MIPCOM are consistent with LevelK's active profile.

What are LevelK's strongest territories for closing deals?

The Nordic region is LevelK's most clearly documented stronghold, evidenced by its choice of Samsung as the launch partner for RomCom TV, described as the leading FAST platform in the Nordic region. European territories more broadly align with the company's production base and sales history. For finished crime drama and arthouse content, LevelK's worldwide sales ambitions suggest active pursuit of deals across Western Europe, with Nordic markets as the anchor.

Is LevelK actively acquiring and representing new projects right now?

LevelK shows 17 activity records over the past twelve months and 21 tracked decision makers, with the latest signal dated May 2026, indicating an active organisation. The company is simultaneously expanding its FAST channel slate, with additional niche channels in development beyond the launched RomCom TV. While no new acquisitions appear in the most recent 30 to 90 day window per current data, the strategic build-out of its full-service sales house model suggests ongoing openness to new representation mandates.

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