Peacock
Peacock is a US streaming platform operating at 41 million paid subscribers, leaning into true crime drama, IP-franchise conversions, and NBCUniversal-produced content while navigating ongoing losses and a bundle-expansion pivot.
Each signal is one documented data point captured by our continuous pipeline: a trade-press mention, festival market activity, executive statement, or acquisition activity update. Higher signal volume means Peacock is generating more public market activity right now.
Peacock has been stuck at 41 million subscribers at the end of each quarter for the entirety of 2025, despite monthly churn fluctuating between five to eight percent.
Peacock is currently programming around true crime dramas drawn from real criminal cases, docuseries-to-scripted drama conversions, and procedural crime dramas with social impact, all produced within or adjacent to the NBCUniversal/UCP pipeline. Recent acquisitions include "Superfakes," "Dig," and a "Homicide: Life On the Street" revival, signaling continued appetite for IP with pre-existing audience recognition. The platform also holds exclusive streaming rights to "Yellowstone" and renewed "Poker Face" for a second season, reinforcing its investment in prestige drama alongside genre fare.
Over the past twelve months, Peacock's acquisition pattern has favored franchise extensions and known-IP plays. The platform picked up Pay One window rights to "Minions: The Rise of Gru" (part of a combined $170 million global TV stream deal with Netflix), secured "The Exorcist" franchise rights for a reported $400 million, and greenlit a "Hostel" TV series adaptation. A second season of "The Traitors" was also picked up, pointing to unscripted-to-scripted crossover interest. The through-line is risk mitigation: established titles, genre recognition, and docuseries-adjacent source material.
Peacock does not maintain a public open-submission portal. Access runs through NBCUniversal's production arm, UCP, and through established representation. The Taylor Sheridan deal migration from Paramount to Universal (film rights moving next spring, TV rights beginning in 2029) signals that Peacock is building long-term content infrastructure through talent-first relationships rather than spec acquisitions.
Dig
Exclusive streaming rights to 'Yellowstone'
‘Hide’ (series) development
Homicide: Life On the Street
Hostel TV series
Love Island: Beyond the Villa season two
Minions: The Rise of Gru (Pay One window rights)
Picked
Peacock has been stuck at 41 million subscribers at the end of each quarter for the entirety of 2025, despite monthly churn fluctuating between five to eight percent.
Streaming platforms are converting successful true crime docuseries into scripted dramas as a low-risk audience retention and IP monetization strategy.
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Does Peacock accept unsolicited scripts?
Peacock does not operate a public open-submission process. Content acquisition runs through NBCUniversal's production arm, UCP, and through established industry representation. Writers and producers without existing UCP or NBCU relationships are expected to approach via a licensed literary agent, entertainment attorney, or producing partner with a prior Peacock or UCP relationship. Cold submissions are not a documented pathway based on available intelligence.
What budgets does Peacock work with for scripted acquisitions?
Peacock does not publicly disclose per-project budgets for scripted acquisitions. The platform's deal activity reflects a wide range: franchise rights deals have reached the scale of a reported $400 million (The Exorcist), while individual series acquisitions such as 'Dig,' 'Superfakes,' and 'Homicide: Life On the Street' carry undisclosed terms. The platform remains unprofitable, with quarterly losses narrowing to $217 million as of summer 2025, suggesting ongoing cost discipline in content spend.
Does Peacock acquire projects from film festivals?
No festival acquisition activity is documented in available intelligence for Peacock's recent deal record. The platform's acquisition pattern over the past twelve months has centered on IP-driven projects, franchise extensions, and NBCUniversal/UCP-produced content rather than festival discovery. Projects with pre-existing audience recognition, docuseries source material, or established IP appear to be the primary entry points, not festival premieres.
How do you get a project to Peacock?
The documented pathway runs through NBCUniversal's content arm, UCP, which serves as the primary production and development pipeline for Peacock originals. Talent relationships are a key access mechanism: the platform's deal to bring Taylor Sheridan's film and TV projects into the NBCUniversal ecosystem illustrates how Peacock builds content infrastructure through talent-first arrangements. Representation by an agent or attorney with active UCP or NBCU relationships is the most reliable route for external projects.
What genres is Peacock prioritizing right now?
Peacock's current content focus, according to tracked acquisition signals, centers on true crime dramas based on real criminal cases, docuseries-to-scripted drama conversions, and procedural crime dramas with social impact. The platform is also active in franchise horror (The Exorcist, Hostel TV series), prestige drama (Yellowstone streaming rights, Poker Face season two), and unscripted-to-scripted crossovers (The Traitors season two). NBCUniversal/UCP-produced content is the consistent throughline across categories.
Is Peacock actively acquiring content right now?
Peacock shows 545 tracked records over the past twelve months and a deal velocity of 13 signals in the most recent 30-day window, with the latest signal dated May 23, 2026, according to platform tracking data. Unique closed deals in the 30- and 90-day windows register at zero in current records, suggesting activity is in development or negotiation phases rather than closed acquisitions. The platform is operationally active but recent deal closures are not confirmed in available data.
Profile compiled from publicly-available sources: trade press (Deadline, Variety, IndieWire, The Hollywood Reporter, Screen Daily), festival market reports (Cannes Marche, AFM, EFM, TIFF Industry), executive public statements, and acquisition announcements. Activity counters reflect signal volume from continuous pipeline indexing.
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