Movistar Plus+ is expanding its prestige co-production model beyond its established auteur slate, actively courting entertainment formats and younger audiences while maintaining its festival-first theatrical positioning.
Each signal is one documented data point captured by our continuous pipeline: a trade-press mention, festival market activity, executive statement, or acquisition activity update. Higher signal volume means Movistar Plus+ is generating more public market activity right now.
"We need subscribers, viewers and to make more noise, opening up to formats and genres like entertainment, where we aren't at the moment." — Domenjó, via Variety
Movistar Plus+ is in an active pivot moment. The Spanish broadcaster and streamer has built a well-documented prestige brand around auteur-driven theatrical co-productions, and that foundation remains intact: its upcoming slate includes new films from Pedro Almodóvar ("Bitter Christmas"), Rodrigo Sorogoyen ("The Beloved," starring Javier Bardem), and Javier Ambrossi and Javier Calvo ("La Bola Negra," with Penélope Cruz). Two titles, "Los Tigres" and "Sundays," competed in San Sebastián's main Golden Shell competition. The platform announced its first slate of movie originals in January 2024, signaling a formal commitment to theatrical film origination alongside its long-running series work.
Over the past twelve months, the pattern has been one of deliberate broadening. Movistar Plus+ has maintained its title-by-title co-production alliance with Arte France (exemplified by "Anatomy of a Moment") while simultaneously selling original content outward: "Muertos" Season 3 has been sold to Netflix, and the platform is reportedly in talks with both Netflix and Amazon Prime Video about potential productions. The hybrid broadcaster model, which supports theatrical runs and co-produces with independent producers to facilitate access to finance, continues to define how deals are structured. Subscriber growth via a €9.99 streamed basic pay TV tier has delivered double-digit thousand net additions per quarter since Q2 2024, providing commercial momentum behind the creative expansion.
For writers and producers seeking access, the clearest pathway runs through established independent production companies already operating in the Spanish and French co-production ecosystem. Movistar Plus+ engages on a title-by-title basis with partners such as Arte France, and its openness to fiction/doc hybrids and docu-reality formats represents a genuine, executive-stated gap in its current slate. Projects that can credibly bridge prestige brand values with broader audience appeal, particularly for younger viewers, are the stated priority for new development conversations.
"We need subscribers, viewers and to make more noise, opening up to formats and genres like entertainment, where we aren't at the moment." — Domenjó, via Variety
Aligns with streaming platforms' increased investment in prestige theatrical films and LGBTQ+ content; festival-first strategy for awards positioning
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Movistar Plus+ operates as a broadcaster-streamer that co-produces with independent producers, using that relationship to facilitate access to finance. There is no public open-submission policy. The platform's deal-making is routed through established production company relationships, particularly within the Spanish and French independent sector. Writers are strongly advised to approach via a producing partner already active in that ecosystem rather than submitting directly.
No specific budget figures have been disclosed publicly. The platform's model is co-production, meaning it typically enters projects alongside independent producers and, in some cases, international partners such as Arte France. Its slate includes high-profile theatrical films with major Spanish talent attached, suggesting meaningful production investment, but exact deal sizes have not been confirmed in available coverage.
Yes, festival positioning is central to the Movistar Plus+ strategy. The platform had two titles, "Los Tigres" and "Sundays," in San Sebastián's main Golden Shell competition. Its broader content focus on prestige theatrical co-productions with acclaimed auteurs aligns with a festival-first approach designed for awards positioning and global visibility. Cannes premiere signals have also been cited as part of its international co-production strategy.
Movistar Plus+ engages on a title-by-title basis with independent producers, and its co-production alliances, such as the ongoing partnership with Arte France, are the documented access points. Decision-maker tracking shows 40 executives in the system. The most reliable pathway is through a Spanish or French independent production company with an existing relationship with the platform. Direct outreach to executives such as Domenjó, who has spoken publicly via Variety, is possible but typically follows a producing attachment.
The platform's stated prestige auteur drama mandate remains active, but executives have publicly identified entertainment formats as a current gap. Domenjó specifically cited docu-reality and fiction/doc hybrids as priority areas for expansion. Projects targeting younger audiences are also a stated goal, as evidenced by the adaptation of a novel by YouTube and podcast comedian Victoria Martín. Prestige queer cinema with literary or historical foundations also fits the documented content focus.
Yes. Movistar Plus+ announced its first slate of movie originals in January 2024 and has films from Pedro Almodóvar, Rodrigo Sorogoyen, and Javier Ambrossi and Javier Calvo in active development or production. The platform has sold "Muertos" Season 3 to Netflix and is reportedly in talks with both Netflix and Amazon Prime Video about further productions. Subscriber growth via its €9.99 streaming tier has been positive each quarter since Q2 2024, providing commercial backing for continued originals investment.
Profile compiled from publicly-available sources: trade press (Deadline, Variety, IndieWire, The Hollywood Reporter, Screen Daily), festival market reports (Cannes Marche, AFM, EFM, TIFF Industry), executive public statements, and acquisition announcements. Activity counters reflect signal volume from continuous pipeline indexing.
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